On Rain in LA

Friends,

1.

As any girl worth her weight in body-image issues knows, caution comes in comments like “a minute on your lips equals a lifetime on your hips.” So, maybe my cheerleader-mom mother never warned me against chocolate, but I know the aftermath of indulgence. And because I never listen to the warnings, I learn the hard way. I’m not great with caution. I’m keen to spite. If someone warns me my chocolate bar equals a lifetime on my hips, I’m likely to buy another and point out how great my metabolism is, that I have to work hard to sustain weight, and even if I didn’t, I still like the chocolate! I do like the chocolate. When I quit smoking I took up milk-chocolate. A pound a day for a stretch.

Some things are too good. Some indulgences, even the briefest taste, can be too much. And the consequences hurt, but they do so surprisingly. They come at you not because you indulged a little, but because you can’t stay there, in that indulgence, any longer. You can’t taste the chocolate more than a minute. You can’t stay at the chocolate shop.

2.

Consider the following scenario. A thirsty traveler walks down a path to a perpendicular road. There’s two wells, one on each side of the path, each one the same distance from the path. He chooses the well to the left. Why? He just as easily could have chosen the well to the right. There is nothing special about the left well, there is no overriding reason which favors it. The choice is arbitrary. Perhaps at some far away synapse, a neural transmitter fired left instead of right. Perhaps the person is left-handed and tends to go left.

I know people who’ve studied and published for decades on the topic of freedom of the will. Yet, they say, it’s still a mystery.

Here’s what I think we want.

We want to understand and respect this phenomena we call, the will. We want to say someone can, at any moment, chose A or chose not-A. We want our explanation to cohere with the findings from neuroscience and social science while retaining our intuitions about everyday choice.

So far, so good for the methodology of the metaphysics of agency. What about the practical, everyday side of freedom? We want to say that the best decision is not an arbitrary decision. We want our decisions to count. To help people. To aid in our flourishing as people. We want to respect decisions. But here’s the rub: what happens when we encounter uninformed decisions? What happens when we see people who decide A in spite of all the evidence against it?

What’s funny is that you can get your most persuasive, most logical, most informed and good-hearted advocate to explain every reason against my decision in the most persuasive, logical, and loving manner possible, and I can stand by my decision. Even if I recognize I’m in the wrong. Even if you manage to convince me to change my belief. Out of stubbornness. Out of pride. Out of gumption. Out of adherence to a party-line or the expectations of others. Out of fear of the unknown. Out of fear of being indecisive. Because I once got a bad feeling from you. Because I can tell that you’re trying to convince me of something, and that makes me think you’ve got an agenda, and that means you can’t be right.

3.

So, it’s been raining in LA. A lot.  I love the rain and miss the thunderstorms of north Texas. It never rains in LA. The Los Angeles Basin has a warm Mediterranean climate which averages 15 inches of precipitation annually. But this week it’s been grand.

You can make the rain signify what you like. Just like you can make just about anything signify just about anything else. Sometimes the connections make more sense. Evidently, the manner by which a counseled person goes for tissues can track the manner by which she accepts help. Some person won’t accept the tissue, unless the therapist sets it in her lap.

I was in Long Beach on Sunday. Downtown, by the Aquarium. It started raining earlier than planned and drizzled all night. Monday morning, I worked outside in the squall. We had to reset the event space I work at, and I led a team of guys heaving furniture back and forth for four hours while the rain diagonaled us like arrows. That’s some manly work, if I do say so myself. (And girls. Yes, after the rain soaked my sweatshirt well-passed functionality, I was wearing a wet white t-shirt, lifting heavy things; wink.) At one point I ran from storage building to event space and took a spill on the concrete. But it hurt the way getting hit in a fight hurts, I welcomed the blow to the job at hand.

Wednesday, I walked up and down old Pasadena under an umbrella for over an hour after counseling. My therapist told me he felt rushed today. I said, “I don’t want to add anything on your day. Maybe we could sit here for a minute.” Then I started retelling my weekend. Heavy stuff, some of it. He interrupted. Asked, “why did you say you didn’t want to add anything to my day?” Throughout the story, I hadn’t cried or anything. When he asked me that, I broke down. I reached for the tissues and told him, “I don’t want to burden you with this stuff.” Then I laughed. I said, “I never thought I’d have to use the tissues here.”

4.

The 20th-century philosopher Ludwig Wittgenstein once inherited a huge fortune. He gave it to his billionaire sisters. He said, “Money corrupts, so best give it to the already corrupted.”

5.

I’m tired of missing people. Passing each other by.

I met up with my ex-girlfriend on Sunday in Long Beach. I needed to say some things. It was supposed to be closure. We ended up talking far longer than I planned. It was far better than I expected. But it was too good. It was like a chocolate store. It was like spending a year hearing about steak, then getting only a single bite. And I understand that she’s made certain choices. Overwhemingly, I understand that. But I don’t understand why the choices are what they are. When we met the other day, I couldn’t remember the why. Our meeting was intimate and sincere and authentic. But the choices are there. Somehow we missed each other again.

And what happens when I got in the car? “Landslide” by Fleetwood Mac was playing. Son of a bitch!

I’ll close with this. For the laughers out there.

Pratfalls

On Dolly Parton

Friends,

I’ve been listening to a lot of Dolly Parton lately.

Prolegamena

Now, some of you  may lean forward and say something like, “Okay, I’m interested.” That would be my parents. And my sisters, who, somehow managed to escape our childhood without hating country music.

Granted. Most kids these days answer something like “everything but country music” when a first date asks, “what type of music do you like?”. I accept that answer. Though I’ll note, when I hear that answer I suspect I’ve encountered a hasty generalization. (And you know what they say about hasty generalizations.) But another thing happens when I hear someone say they don’t like country music. I feel like they don’t get it. They haven’t seen what I’ve seen. I want to one-up. I want to say, “oh yeah? You hate country music, do you? Did your family own country radio stations growing up? They didn’t? Well then. Raspberries.”

That’s right. My family fed us (mainly peanut butter and jelly sandwiches; instant breakfast in the mornings; pizza Friday nights) because they owned and managed country radio stations. My dad–who taught himself trigonometry and electronics from a basic knowledge of geometry–did all the technical and computer work for the radio stations. So not only did we have to listen to the country music stations because they were our stations, but Dad had to constantly check the frequency modulations (fm) or the amplitude modulations (am) of the signals. That meant, we had to listen to country music. All the time.

The sisters, I suppose, complied. God love ‘em, but they’ve kind of always liked country music. Galen and I rebelled. We hated country music. We huffed and puffed, but Mom and Dad would rarely, if ever, turn the dial to Dallas rock stations.

A funny story. 6th grade. Radio stations call broadcasting live from an off-campus location, “remotes”. So the local radio station is doing a Saturday morning remote from a local grocery store. Our family attends the remote, goes inside for some groceries, and comes out toward the broadcasters. My brother–wearing ripped jeans and bandanna and, if I remember correctly, holding a Guns N’ Roses tape-sleeve–runs to the DJ broadcasting live. The DJ says something like, “Well, it’s the Gilberts; and here’s little Galen to say hello.” Galen grabs the live mic away from everyone and live to all of East Texas says, “Country music sucks! You all suck! You suck! Heavy Metal rules! Country Sucks!! AAHHHHHH!”

Well. The rebellious side of ole’ Dave Gilbert waned. I’ve learned to cheerfully expect country in certain settings–a dive bar, a diner, etc. More than that, I’ve incorporated many a country-western artist into my regular circulation of songs I love. (Generation Y thanks you, Johnny Cash.) But most of the time I approach a country artist with a hermeneutics of suspicion. I have to be sold. I have to be wooed and caressed. The country music needs to be gentle, and I need to see it echo the blues or folk, or otherwise clearly understand its derivation from some more respected branch of pop music.

The Juice

I guess I avoided Dolly Parton pretty well. ‘Always thought of her as a little too much. Dollyworld, the hickupy cheerful personality, the hair, and (obviously) the chest. And, she always kind of reminded me of Jan Crouch. I could have a decent appreciation of the women making good country music without ever listening to Dolly Parton. Minus, of course, the song “Jolene” (the remakes of which excede the original).

So, when I got in my little sister’s car to drive her to the airport the other day, and a Dolly Parton’s Greatest Hits cd came on, I totally groaned. Audibly. “Come on. Dolly Parton? Really?” My little sister protested. “No way, David. She’s awesome! You have to listen to her!” So I did. All the way to the Long Beach Airport. And back. And the next day driving my friends from out of town to LAX. And back. And when I got home on Youtube. And today on Youtube.

Holy crap! Dolly Parton effin rules!

Okay. Yeah. Sometimes she’s too much. I’m thinking how the changeover from the verse to the chorus in “9-to-5″ goes from upbeat and bouncy (but tolerably so) to huge and overproduced. But a lot of her stuff! Dude, It rules! And she’s pretty awesome in The Best Little Whorehouse in Texas.

Dolly Parton writes (or wrote, I have no idea of her present whereabouts or activities) some beautiful sad songs. Haunting, even. You know the way some of Tammy Wynette’s songs filter through old tube-amps to sound ghostly and tinny? But she’s singing about some heartbreaking stuff? And the end result is this shaky-throat old-time loss I wish could be matched nowadays? Dolly Parton does the same thing, but better. (I totally recognize the fact that I’m talking here about Dolly Parton and Tammy Wynette like I’m the first to hear them, but, seriously, this is news to me–and I LOVE IT!).

Okay. So, here’s my recommendations. First. If you’ve never listened to “Jolene“, do so. Listen to the whole Jolene album. It’ll break your heart if you’re not too dulled by the cynicism of the day. I also like the song “Touch Your Woman” quite a bit.

Finally, I can’t get enough of the song, “Bargain Store”. We joked on the way to LAX that the song is about prostitution. But, nay! It isn’t! Please tell me if I’m crazy or mistaken or mistakacrazy here, but this song is so sad and touching. And it’s haunting like the Tammy Wynette stuff. It’s dark and moody. And the metaphor works, where it should be obvious and cliche. I’ll leave you with this.

and this,

My life is like unto a bargain store
And I may have just what you’re lookin’ for
If you don’t mind the fact that all the merchandise is used
But with a little mending it could be as good as new
Why you take for instance this old broken heart
If you will just replace the missing parts
You would be surprised to find how good it really is
Take it and you never will be sorry that you did

The bargain store is open come inside
You can easily afford the price
Love is all you need to purchase all the merchandise
And I will guarantee you’ll be completely satisfied

Take these old used memories from the past
And these broken dreams and plans that didn’t last
I’ll trade them for a future, I can’t use them anymore
I’ve wasted love but I still have some more

The bargain store is open come inside
You can easily afford the price
Love is all you need to purchase all the merchandise
And I can guarantee you’ll be completely satisfied

My life is like unto a bargain store
And I may have just what you’re lookin’ for
If you don’t mind the fact that all the merchandise is used
With a little mendin’ it could be as good as new

The bargain store is open, come inside
The bargain store is open, come inside

Wow. Thanks, Dolly. I think I will come inside.

Pratfalls.

The Desert’s for Starting Over

Maybe the best scene/montage from a movie the last decade.

Pratfalls

On the Best Movies of the Decade

Friends,

I’ve compiled my list of my favorite movies of the decade. It’s a top 10 list, but you may notice that there’s more than 10 movies listed. Don’t worry. The numbers don’t lie. What we have here is simply the overwhelming presence of the literary device I like to call, “the tie.”

So, here it goes. Pratfalls of the Macabre’s top 10 films of the decade. In order from the best.

1. Mystic River (minus the last 10 minutes…which, are horrible).
2. The Departed/All three Lord of the Rings movies (a tie!)
3. No Country For Old Men/O Brother Where Art Thou/The Man Who Wasn’t There (a tie!)
4. Let the Right One In/City of God/A Very Long Engagement (a tie!)
5. Match Point/Closer (a tie!)
6. In America
7. In Bruge/Brick/Perfume (a tie!)
8. 28 Days Later/Sunshine (2007)/The Beach (a tie!)
9. Batman Begins/The Dark Knight (a tie!)
10. Inglorious Basterds/The Hurt Locker (a tie!)

Pratfalls

On 2009 and the decade

Friends,

I think I’m going to miss the decade. I would relive most of the decade. My top five years of the decade (starting with the best): 2007, 2008, 2000, 2006, and 2003.

2009, though. Not 2009. With 2009 I feel like a teacher waiting late after class for that failing student to show up and turn in something great. But with 6 hours left on the edge of the decade, I’m pessimistic. 2009 is going to fail.

I was discussing matters like these with a friend of mine recently. I vocalized my strong negative emotional reaction to the year. I woke up the first day of the year with a hangover, and a few days later I drove back to California from Arkansas at top speed, a sober man. I feel like I’ve been making that trip for a year now. That’s what 2009 feels like to me.

My friend protested. He insisted otherwise in a cruel and agenda-laden fashion–the leading question.

Didn’t you quit smoking? He asked. Yes.

Didn’t you (and your brother) write a script? Yes.

Didn’t you revise it 4 times to get it to a place you’re happy with? Yes.

Didn’t you attend a writing program? Didn’t you continue your studies of philosophy at the same time? Didn’t you make new friends and deepen old friendships? Didn’t you finish a running program, gain weight in muscle, start a blog, continue a blog, outline 2 more scripts, finish 3 more short scripts, skinny dip in the ocean, hike through mountain trails, go to a shooting range, do your taxes, cook a casserole, learn lessons, take up counseling, juggle 5 jobs, and buy some kick ass cowboy boots? Didn’t your sister move out to LA? Didn’t you travel around the state and explore Los Angeles? Didn’t you see the desert and commune with monks? Can’t you mark something completely new you’ve done every single month this year?

Yes, I can. But in the sport of good argument, I can’t say this accounts for everything. I amplified an impulse for new things. But. You can hit rock bottom more times than once, or maybe I haven’t hit it yet. I lost a lot. I lost friendships. Direction. Anchors.

You gained some too.

The thing is, I think we’re both right. And. Ill say this. I’ll miss the decade, but I’m glad when 2010 gets here. I don’t have any resolutions for this year, but it’ll be better.

The best things of the year?

I’d rather not relive 2009 except in the movies I’ve loved, the books I’ve read, the scripts I’ve (we’ve) written, and more than anything the friendships I’ve retained. My family. The whole year I’ve had friends and family come to me in love. And I’ve seen more love through them than almost any other time in my life. So, in that respect, 2009 was great.

Pratfalls

On 1999–Best Year in Movies

Friends,

A few weeks ago, a (you are not) special 10-year anniversary of Fight Club was released. 10 years! What a surprise! I don’t know if that blows your mind like it blows my mind, but that blows my mind!

The thing is,

…a few months ago I read an article making a pretty bold claim. The article suggests that 1984 might be the best year for movies for movie-watchers ever.

While I totally agree that 1984 kicked some ass, (I mean, this guy’s list starts with Steve Martin’s Lonely Guy!) I think a case could be made for another year. I’ve thought…for 10 years now!…that 1999 holds its own for one of the best years of film ever. I’d like to tell you why I think 1999 holds its own (along with 1939, 1967, and 1974) as one of the greatest movie-years ever. My argument in support will be skeletal.[1] Perhaps more support can worked-out in the comments. Hopefully, the list itself will count against the 1984 claim.

Now, supporting the claim (that 1999 is the greatest) is a difficult process. I could go through, like Mr. Nashawaty does, every month of 1999 and show off some delightful releases. I could list wikipedia’s American films of 1999. I could show off the Academy Award nominations for 1999, or Ebert’s Top 10. IMDB’s list of released films of 1999 is cumbersome. Not only does it list films from 1997 and 1998, the list also includes such classics as Blowjob Adventures of Dr. Fellatio part 15 and True Anal Stories 4 and 5! Fortunately for us, those films won’t make the Pratfalls list.

So, here we go.

My top five:

Being John Malkovich
Bringing Out the Dead
Election
The Iron Giant
American Beauty/Fight Club (a tie!)

The Rest Which Count (Ones I Haven’t Seen Marked with an Asterisk):

Magnolia
Eyes Wide Shut
Office Space
The Red Violin
All About My Mother
The Matrix
The Sixth Sense
The Green Mile
Buena Vista Social Club
Topsy-Turvy*
The Insider
Titus
Any Given Sunday
Blair Witch Project
The Limey
Boys Don’t Cry
Minus Man
Angela’s Ashes*
Cookie’s Fortune*
Ravenous
Hurricane
Run Lola Run
Snow Falling on Cedars
Ghost Dog
The End of the Affair*
Summer of Sam
Happy, Texas
Sweet and Lowdown
Jesus’ Son
Dogma
The Talented Mr. Ripley
Three Kings
Twin Falls Idaho
Anna and the King*
Fantasia 2000
Girl, Interrupted
Sleepy Hollow
Virgin Suicides
South Park: Bigger, Longer, Uncut
and
Toy Story 2

My Guilty Pleasures

The 13th Floor
American Pie
Drop Dead Gorgeous
10 Things I Hate About You
Eddie Izzard: Dressed to Kill
Muppets from Space Mystery Men
Radiohead’s Meeting People is Easy
Varsity Blues
and
She’s All That

Look at that list! Just look at it. I would consider someone well-versed in the films of 1999 ahead of the game for knowledge of film in general. I always go to the films of 1999 to introduce kiddos to good cinema. And, I’ve consciously watched in the ten years since 1999 for cinema to match it. I want each subsequent year to compare to 1999, and they never do! To further emphasize my personal commitment to 1999’s greatness, I’ll just note that I have seriously jeopardized friendships because of conversations about American Beauty, Fight Club, the Matrix, Magnolia, Eyes Wide Shut, Blair Witch, and the Green Mile. Assess it as you may, but I’ll count that little personal fact not as highlighting my own aggressiveness to win arguments, but rather highlighting the quality of the films in question.

In 1999 a combination of great directors (new and tenured) released great films. The quality of the films paired with the quantity of competitive releases made 1999 great. So it’s great films, but it’s more than that. The last Kubrick film (Eyes Wide Shut) was released; Woody Allen released (the underestimated) Sweet and Lowdown; Scorsese released (the waaaaay underestimated) Bringing out the Dead; Michael Mann released what some call his best film, the Insider. But 1999 also had phenomenal and promising young filmmakers: Spike Jonze, Brad Bird, Sam Mendes, M. Night Shyamalan, Julie Taymor, and Sophia Copolla (the woman who’s NEVER successfully emoted). It also saw cinema favorites: Spike Lee, Oliver Stone, Frank Darbont, P. T. Anderson, David Fincher, Stephen Soderbergh, David O. Russell, Jim Jarmusch, Mike Leigh, Tim Burton, Kevin Smith, and Robert Altman.[2]

Look back at the 1999 list. Notice the incredible thematic overlap with most of these films. They’re all films about men (who all dress the same) finding the weird and strange world underneath or beyond dead-end jobs. I mean, Fight Club, the Matrix, Office Space, American Beauty, Election, Eyes Wide Shut, Bringing Out the Dead, the Insider, the Sixth Sense, the Green Mile, and Being John Malkovich are all about the same thing! In retrospect, it’s almost too obvious to point out. Here’s a normal world, here’s the underworld. The protagonists and their storylines differ substantially, but each one comes from the same world. The white-collar, 30-something professional world. And for each protagonist, this professional (the “real”) world has left them completely unprepared for the real world (And in the case of She’s All That, the character from The Real World is unprepared for the real world). So the characters panic. Interlocutors could point out the commonality of these themes going back at least to Plato’s Republic; but it’s incredibly interesting how these filmmakers independently (from each other, that is, not from the studios—though, yes, some are independent of the studios) start with the same antecedents. And they’re doing it at the same time.

And it’s strange because there’s a difference in tone with these 1999-ers from immediately before and immediately after. These aren’t the heroic characters of 90s cinema (Braveheart, Schindler’s List, Forrest Gump, Saving Private Ryan, to name a few), and they’re not the revengeful or cold or nihilistic anti-heroes of cinema of the 2000s (There Will Be Blood, No Country For Old Men, Mystic River, Old Boy, even Gladiator). There’s  a change, a different kind of cynicism in 2000s film. Even movies in the last decade which use similar frameworks or starting points (Little Children, Michael Clayton, The Departed, Primer, A Beautiful Mind) have a darker feel. The stories from 1999 juggled a hopefulness and cynicism better than subsequent efforts at similar themes. These great filmmakers had this moment of synchronicity in theme and style. That’s pretty remarkable.

And, I’ll admit 1999 had some pretty lousy selections. I’m thinking of the run of Robin Williams movies (like Jakob the Liar and Bicentennial Man), Star Wars: Episode 1, and all that movie-filler which wastes talent by type-casting (or underestima-casting) a decent actor into fad-status (I’m thinking here of Cuba Gooding Jr. in Chill Factor, Michael Caine in Cider House Rules, and Matthew Lillard in Wing Commander, et al.–and yes, I did just call Matthew Lillard a decent actor; did you see She’s All That?).

Assuming, however, that Hollywood, Robin Williams, and George Lucas will always put out terrible films, we can forgive 1999 for including such waste.

Nevertheless, I challenge you to name a better year in movies.

I think, comparing, say, Academy nominations or critic’s lists for a given year, could rule some years right out (2002, anyone?). It may turn out at the end of the day that 1984 really does top 1999 (and 1939 too) for greatest film year. But not without my assertions first!

By the way, if you think I’m just a lowly philosopher with no real cred to rank film years, maybe you want to get my twin brother, the film expert, Galen’s take on the whole shebang. Well, he agrees that 1999 was the best year for film in recent memory. (Raspberries). BUT, he insists I’m wrong with my top five for 1999. HE thinks the top five films of 1999 are:

Galen’s Top Five for 1999:

Bringing out the Dead
Eyes Wide Shut
Titus
Run, Lola Run
Magnolia/Being John Malkovich (another tie!)

Pratfalls

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[1] It should be noted: Nashawaty doesn’t argue for 1984 either; Nashawaty makes a list–with embedded clips. To argue would be to support a premise with, well, supporting premises. But these types of polemic/counter-polemic discussions rarely demonstrate one point of view to another beyond a reasonable doubt.

[2] Now, I recognize a couple of things. 1. Kevin Smith has never been a great director, but he’s well known and he’s important for independent cinema. That maybe his worst film (Dogma) ended the decade of independent cinema he helped invigorate, rings poetic. 2. I hate Robert Altman. Maybe not the man (but I’m not ruling it out), but definitely his filmmaking. I could write an entire blog about my feelings toward Robert Altman’s films. Nevertheless, people tend to like both Kevin Smith and Robert Altman. So, while the men perpetually disappoint me, they did contribute to 1999’s year of film.

On Merry Christmas

Friends,

I have a few more posts I need to get out by the New Year. For now I’ll just say Merry Christmas.

I know some of our friends out east are getting a real white Christmas. It’s currently in the 60s here in LA; we’re probably not going to share in the festivities. Nevertheless, considering the snowstorm of images (of snowstorms) I’ve been exposed to today, it’s highly likely that I’ll be dreaming of  a white Christmas tonight. And if that’s not enough to put you in a Christmas spirit, I don’t know what is. Probably actually having a white Christmas.

Curses.

Pratfalls

On Editing

Friends,

A few weeks ago, while studying at a bookstore, my friend MR said to me, “You know, I don’t mean to brag, but I think I could do a fine job being an editor.”

“Oh reeeeaally,” I said. “Let’s just see how good of an editor you are! Why don’t you try your hand at this!”

So I wrote down the following sentence:

“MR, J, and David was sitting at a bookstores when MR will say,’We like edit’.”

“Ha!” I said, “You can’t find a problem, can you!?!”

So she wrote,”David needs intensive grammatical help!”

“Oh no. I think you meant to say this.”

So I wrote, “David grammar needing David help; intensive.”

Pratfalls

On Dreaming, Drinking, and Obama

Friends,

I have a feeling my postings will be much more frequent in the days to come.

But first!

I dreamed, the other day, that I was a speechwriter for President Obama. But before his big speech, we got drunk. So I had to go on stage to give the speech. But when I got there, I didn’t know what to say. So, I said, “In Book One of Aristotle’s Nicomachean Ethics, Aristotle says, ‘Every action aims at some end…and All actions aim at some ultimate end.’”

Interestingly enough, Obama recently quoted Immanuel Kant. I guess I was just reacting pre-modernly. I’ll take Aristotle over Immanuel Kant any day of the week, says I, and any man in the room if he’s got the chops.

AND

Because it won’t leave my head:

Enough for now.

Pratfalls

On That Evening Sun

Friends,

And I’m talking mainly to those in and around Los Angeles right now. The rest of you can listen if you like.

Instead of seeing New Moon (David rolls his eyes very dramatically).

In two days, the Laemmle Royal Theatre (and another Laemmle theater in Encino) will open That Evening Sun. That Evening Sun was written, directed, and produced by Act One alumni. We watched it this summer, and it’s fantastic. I honestly wanted to skip watching it. I think my brother twisted my arm to stay. I’m sooo glad I did. Hal Holbrook’s performance is so good. Ray McKinnon’s too. The acting, the feel, everything about this film is top notch. Top notch. A HIGH quality film made by Christians. The more people who can see it and spread the word, the better. If a buzz develops, Hal Holbrook seriously could be nominated for acting awards this awards season. Ray McKinnon too.

And we can actually help develop the buzz. This film is getting a limited release right now in Los Angeles. The more people that see this film this weekend, the better chance it’ll get to get to more theaters. So each paying ticket can contribute to an awards season buzz. I’m going sometime on Friday. If you’re interested, text me, call me, email me, whatever. Maybe we can set up a time to go together. Seriously, if this film gets a hot critical and awards-season buzz, its the type of thing that could tangibly help (like inspire investors, garnish respect and tear down stereotypes) quality mainstream filmmaking by Christians.

Pratfalls