Friends,
In the comments of my last post, an old and dear friend suggested I list the top ten most influential films that shaped my life. My dad always said that Galen and my twin language growing up was quoting movies. And in the interest of reflective knowledge obtained through listing top 5 or top 10s (and also, in the interest of keeping what tiny heartbeat there is of this blog a’goin) I give you numbers 10-6 of the top ten influential movies of my life.
10. Reservoir Dogs: Well. I am a child of the 80’s and 90’s. I also love film. So, it’s no surprise that I fall under the group of people heavily (and overly) influenced by Reservoir Dogs specifically, and Quentin Tarantino generally. Or maybe, Reservoir Dogs is on this list, by default, because let’s face it: the man collects residuals for creative input for just about EVERY film made since 1992. Another way to say the same thing: you can’t throw a guy in a suit with sunglasses in this town without hitting some filmmaker Tarantino claims as a dependent on his taxes. I wanted this spot to go to Goodfellas, the better film. But I saw Reservoir Dogs first. And it was watching Reservoir Dogs, Pulp Fiction, and True Romance that introduced me to gangster pictures. We watched Reservoir Dogs in the 7th grade at a friend’s house (the same friend we used to sneak over to to watch late night HBO & Cinemax the summer before 6th grade–forehead slap) and came back home the end of the weekend quoting the Madonna “Like a Virgin” speech, and insisting Mom and Dad watch the coolest movie ever! My mom still warns me “it better not be Reservoir Dogs” if I recommend a movie to her.
9. Kids in the Hall: Brain Candy. Though I think this film had the public reception that It’s Pat did, everyone of my siblings knows this movie backwards and forwards. We quote it every time we’re all together, and we still laugh. (Dumb and Dumberbe damned!) I’ve shown this movie to friends who laughed as much as I do to it. On the other hand, I’ve met people–fans of Kids in the Hall at that!–who don’t like it! The film, composed of the original five Kids in the Hall (“You see that moon up there? No, that one”) who play most of the speaking rolls in the film, follows a group of scientists rise and fall when their miracle drug “Gleemonex” cures depression. I think the film influenced me in a couple of ways. For one, it’s a great point of contact for my siblings. But I saw it in junior high, and at a time when I wanted to fit in and so, tried desperately to laugh and requote lines from Friday. Brain Candy introduced me to a better comic style at a pivotal time. I mean, it could’ve happened that I spent the last 15 years trying to make people laugh by squinting my face and saying “Daaaaaaaaaamn!” In stead, now I think its funny if a suicidal death metal performer walks on stage after taking an anti-depression drug and sings, “Happiness and sunshine and cute little puppydogs; these are things that I’ve seen with my heart.”
8. Deconstructing Harry. I saw this before I saw Annie Hall. My first Woody Allen film. Though, not his best, when I watched it, I thought, “this is what you can do creatively; this is what you can do with jokes.” Woody Allen has this absurd and terribly smart way of doing things. Even in his crappy films, there are these touches of genius. And when you see or read his genius moments, even just the briefest ones, the possibilities of what can be done creatively flourish. I don’t think anything has been as influential for my sense of humor as becoming familiar with Woody Allen’s catalogue. It motivates me to be intelligent enough to get a joke, and clever enough to tell my own. Two moments come up in Deconstructing Harry.The first is the segment involving Robin Williams as an out of focus actor. According to the film, this was a short story the main character once wrote. The segment begins from the point of view of a camera lens on set. Robin Williams and some other actor are about to do a scene, but Robin Williams is out of focus. The camera man looks away from his lens, and Robin Williams is still out of focus. To everyone on set he’s out of focus. When he goes home, he scares his wife and children because he’s blurry. I laugh thinking about it. How perfect! The second moment: Woody Allen’s character muses he always thought his friend, played by Billy Chrystal, is the devil. At one point, the two run into each other at the store after not seeing each other for a few years. After they catch up and reconnect, the scene ends with Woody Allen looking around and saying, “I’m sorry, does anybody else smell burning sulphur?”
7. Good Will Hunting: Okay. There’s flaws in this movie. I’m totally aware of them. Nevertheless, it still ranks in my top ten all time movies. And definitely in my top ten most influential movies for my life. I once broke up with a girlfriend because she fell asleep in this movie, if that helps. You know how girls relate waaaay too much to Sex in the City, and really really want to be, you know, whoever that girl is in it? I’m like that with Good Will Hunting. I’m not going to say I wouldn’t have studied philosophy and literature if I never saw Good Will Hunting, but I will say that Matt Damon’s character has always been in my mind as, at least part of, an ideal of what an man could be. I mean, I want to know books well enough to smack people around with my book smarts; but be street smart enough to smack ’em around. Somehow this movie perfectly combined a badass hero who liked books, beer, friends, and a girl.
6. Batman: The original Tim Burton’s Batman was one of the first movies I was excited to see. And also one of the first movies I saw on opening night. I thought my parents wouldn’t let us see it (it was rated PG-13; I was 7), but then they surprised us with tickets. The thrill didn’t die, and all summer I hoarded as many items of Batman merchandise I could convince my parents to buy. But what really makes Batman so influential for me, is it was the first movie I needed to know how it was done. When Batman came on video, I got a copy of it for Christmas (Galen got Who Framed Roger Rabbit). I insisted we watch it every day, so–and I quote–“I could understand it better.” (Look. I think Galen rolled his eyes then, so it’s okay if you do now.) There’s a point in Batman, when the Joker killed the guy with the electric hand buzzer, I couldn’t understand what was going on. I asked a bunch of people. How did they kill the guy? I asked my friend Tony. What he told me I believed for years afterwords. He said, “look, David, a movie’s a really important thing; sometimes they need to kill someone in it, so people realize how important it is, and they really do die in the movie.” I know what you’re thinking, “David, Jack Nicholson’s character died in the movie, but he appeared in movies you saw after Batman while you still held this belief. What gives?” That was easy. With superstars like Nicholson, they never showed them die. They always cut away.
Pratfalls